The film starts with a short disclaimer to tell the viewer that the events which occur in the film are based on true events. Whether or not this is true, it adds a certain edge to the film, making the plot all the more shocking as it has been told 'exactly as it occured'. The characters become more mysterious because the film makes us question their motives as real people. It also sets the scene, stating that the film is set in Minnesota in 1987, nine years prior to the release of the movie in cinemas.
The music which accompanies this message is that of a string instrument such as a harp, mandolin or guitar. It is calming, which is unexpected for a thriller film. When the scene changes at 0:30 the music adds a string instrument but continues the same tune, adding more tension to the scene. The establishing shot, despite not showing anything visible shows a light blue colour which creates a cold atmosphere. This is reinforced by the small black credits which can be seen towards the bottom of the frame, implying that isolation is a key theme in the film, making the viewer feel more alone.
The film continues to be a blank light blue space until a car becomes visible from over a hill at 1:51. At this point the music changes and drums accompany the strings, creating a more intense and foreboding atmosphere. The sudden introduction of drums shocks the viewer and will increase their heart rate, thrilling them.
The appearance of the car raises questions for the viewer which they will want to be answered later on in the film which makes them want to watch on.This fits with Barthes narrative enigmas theory which often makes appearances in both Thrillers and opening sequences. The intriuged viewers will watch on to find that in many cases, their questions aren't answered but now the film is over, they can't go back.
After the car passes we see the title of the film fade in. It is all in capitals emphasizing its importance and once again it is spaced out, making it look solitary juxtaposed against the light coloured background. The slow fade out of the title could reflect the slow pace of the film and also the mystery. The shot shows the car continuing to drive pulling another car behind it, adding to the barrage of questions the audience already has, such as 'what caused the car accident?' The snowy setting makes the two cars stand out thoroughly and also shows the audience the area that the film is set in. Cold, isolated settings have a tendency to reflect their atmosphere on the audience, making them feel slightly unnerved and disassociated from the world outside.
The scene looks almost painting-like, with mostly white accented by the outline of the dark wooden pylons and the distant trees. The location seems very lonely and solitary, the perfect location for a thriller and to entice viewers into continuing the film. With no dialogue or view of the main characters, the opening scene of Fargo leaves lots to the imagination, hence why it is such a good opening scene.
The opening credits of the film are displayed as follows:
Polygram filmed entertainment presents
in association with working title films
Frances Mcdormand
William H. Macy
Steve Buscemi
Harve Presnell
Peter Stormare
FARGO
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